huge support from : ricardo villalobos, zip, tobi neumann, sylphe, dan ghenacia, troy pierce, dubfire and many more....
concealed sounds is a brand new label from the copenhagen based producer and dj martinez. the label is set up as a platform for the more deeper shade and experimental sound of techno and house music. it will feature releases by martinez himself, but also showcase some new talents as well as well known colleagues from the scene. and as the label name suggests each release will include a hidden sound, beat, groove or ambient piece. the first release comes courtesy of martinez, and its called: hollow ep. it starts off with a 14 minute piece of modern modular based techno. deep hypnotic rhythms lay down the foundation while high pitched noisy metallic sounds build over the hollow groove, before the baseline kicks in to lift everything to another level. the piece finally breaks down completely, to an almost horror-film-soundtrack like ambience before the groovy rhythms find their way back to bring the track to life again

shaun reeves, one member of the visionquest power force, teams up with good friend and industry veteran alexi delano for the next release on the label with two solid cuts that are deeply mystifying and hypnotic while packing plenty of groove for the dance floor.

vinyl only, 180 gramm pressing, yellow vinyl and strong limited. echo inspectors have delivered yet another lush dubby number in the form of >apparition< this figure brokenly weaves through the shadows before finding its stride - this approachable entity wants to return, shall we oblige? it is with great excitements that we receive one of our long time heroes to the primary family. rising from the shadows is the one and the only dean decosta. thought to have left the fellowship, >apparition<, while surprised to hear deans calling, is familiar with his energy. a more aggressive interpretation is adopted for the crossing over. >apparition< attempts to break the line, struggling to take breath with its grittier, darker, distorted frequencies it continues to form as the energy builds. this is a special ltd release of only 200 – one for every bag! early, late or otherwise.

in the 1970s the american composer henry flynt started a series of pieces under the title >new american ethnic music<. in so doing he worked together native styles of music such as blues, country or hillbilly with electronic production methods to make something altogether new. so far in germany it has never been attempted to rework folklore electronically for a compilation. however, this picture changes if one redefines the idea of who the population is. incomers have brought new >national anthems< to germany, which means - even the portuguese fado, the african gnawa, the croatian klapa or the vietnamese quan ho are these days at home in germany. with the cultural project >heimatlieder aus deutschland< (native songs from germany) founded by former spex editor mark terkessidis and label manager jochen kühling all the various styles of traditional folk music now found in germany has been collected. thirteen of the songs recorded for the project have now been transformed by contemporary electronic producers to present a >new german ethnic music<. but why remixes? for one thing electronic music has recently focused a lot on the past (ghost music, hypnagogic pop etc.) – electronic editing is well suited to follow the effects of the immigrant music which the >imaginary national anthems< has created. furthermore the projects instigators were curious how >electronic musicians< would handle folk music and folk songs which is a hugely difficult task. to this end artists were sought out who could get along with the idea of each music style and who are known to already have experimented with the human voice. the results are as varied as the music styles and djs involved. some melodies remain completely intact while others are abstracted beyond recognition. margaret dygas associative approach ensured that she presents a polish song about a girls arranged marriage with a claustrophobic feeling. with his remix of the marrabenta of mozambique mark ernestus has continued the rhythmic experiments he is known for with jeri jeri. thomas mahmoud translated gnawa into dub and finaly ulrich schnauss turned the song of the italian chorus of >donni so< into a hymn for the horizon-expanding power of migration.hopefully this compilation will also expand some horizons.

warm and crispy as always, the third monday night - mixed, structured and recorded live on tape. the whole ep is a cutting-edge merger between old school and modern, carefully crafted sounds, to forge an outstanding collection of deep house tracks with a timeless fashion.the opening track on side a serves a gentle two-chord loop, locked with a groove beat progression, whilst track two builds up a dense swarm of rapid drums, with synthetic bursts twirling on an energetic bassline. on the b side, a bare, rampant one note bass leads a haunting, gloomy first track, whose main theme is surrounded by recurring confused, scatterbrained vocal samples, while the second one is characterized by the simplicity of an upright, stabbing rhythm directing an emotive one note chord. the ending track develops around a big, serious bassline, pleasantly contrasting with a succession of dreamy, floating melodies and noises

there is beauty to be found in the barren streets of detroit. but they also hold an unexpected danger. solitude can sometimes make you feel like youre on another planet alien soundscapes and stark sound shape lonely beats on these lonely streets.

every moment in life has its own and special soundtrack. eclectic and in its usual frieda attitude the >moments like this ep< captures these snap-shots, transforming them perfectly into sound. the three original tracks, composed by ordinary subject, sweeten the party horizon with the right groove. >moments like this< develops an unbelievable drive and with the piano play from sacha ketterlin reaches an incredible deepness. one gets totally into the unrestrained celebration mood with >a jimmy<, which rocks with guitar riffs from 50-51. on the other hand, the >cansons charmed mix< on the >moments like this< invites you to dream. while most dreams take place in black and white, canson in his typical style, draws in the richest of colors, sending our souls into a foreign world. before he smoothly sets us back into our world, he manages to make us glide on a slow trip in which the pictures start to reveal that our aspirations seem almost tangible. last but not least, the >a jimi< is remixed by the label chiefs don ramon and san marco. their >spaghetti house mix< transforms the irrepressible rocker into a bluesy ride into the sunrise.

sixth avenue express have been gathering a lot of momentum recently with their mid tempo, emotionally charged productions striking a note with a larger and larger audience. while they have put out releases across a plethora of labels their home has always been at house of disco records and thats where sae is now releasing their next solo ep titled i see. full of the clever touches and the warmth youve come to expect from them this ep delivers on every front.

after 2 years where the old stories were still being carried around and re-told over and over by the worlds discjockey the next mysterious deephouse raconteur finally adds a new tome to the old legend in his own distinctive, unmistakable style: while the narrative is effectively and assuredly driven on by a classical yet forceful 4/4 rhyme structure the vocabulary is more playful, experimental and abstract with melodic fragments evoking pictures of vast, futuristic landscapes and a mood of deep contemplaton and enlightened serenity. another satisfying pageturner

axel boman broke through in 2010 with his holy love ep, released on dj kozes pampa records. the track purple drank became an instant classic in underground house music circles – since then, boman has toured extensively while releasing original productions and remixes on labels like dfa, hypercolour, kompakt, permanent vacation and ovum, as well as on studio barnhus, the label he runs together with kornel kovacs and petter nordkvist

following their floor-smacking, provocative party piece stinky lollipop (with eats everything), pets founders catz n dogz unleash a very special one-tracker that reminds us of technos illustrious past while shoving us kicking and screaming into house musics future.

ripperton turns baikals >why dont ya< into a 14 minute epic while dixon gives rippertons remix his concise edit treatment on the flip

after the critically acclaimed serge & tyrell release a little while ago alden tyrell is back solo with a new clone jack for daze. a double a-side release with modern jack tracks that nod to chicagos tradition of making effective and fun tracks for the floor. these two tracks with a little jack nostalgia that will do the job! mr tyrell delivering in top form.

if you are into techno, svreca needs no introduction. this spanish dj and producer has been travelling around the world for a while and his label semantica has earned its place amongst the best cult labels thanks to their support of the vinyl format and investment on incredible artworks. they also have one of the best artists rosters.

miracles debut album is a collaboration between two artists with a rich history in music you wouldnt immediately associate with mercury. daniel o sullivan has played and sung in bands such as ulver, mothlite, grumbling fur and guapo, while steve moore has recorded as half of the italian soundtrack inspired synth band zombi, and on dance labels such as kompakt and more recently l.i.e.s.
the vinyl lp comes with free download code for the full album.

those who know the respected irish producer john daly for his bubbly, melodically nuanced house and techno tracks may get thrown off balance by his latest work under the smoke clears handle. while his 2011 release for further, sea level, hinted at his fondness for manuel göttsching/klaus schulze-like kosmische ambience, on listen daly veers off into more introverted and arcane abstraction terrain. the title track kicks off the album on a decidedly downtempo, contemplative note while maintaining dalys knack for understatedly beautiful melodies. it sounds like the best song morr music never released.

fresh from lovers rock: two new hypnotic live takes from ital, recorded at red bull studios in madrid this june. aptly-titled a-side *throbbing* rides a spiraling arpeggio in and out of focus against a jacking 909 beat, while *nodding* builds from a simple motif into a resonating, full-immersion soundscape.
continuing the thread started earlier this year with his 12 inch for workshop and the interplanetary prophets collaboration with jamal moss, *throbbing / nodding* showcases itals move away from a computer-based approach into live hardware. the results are two stunning balancing acts, simultaneously propulsive and melting, mysterious and raw.

while waiting for the new jonsson & alter album 2, the duo releases their best 12-inch so far. we say welcome back to a matured duo, whose poetic take on house music hits harder than ever.

if chicago and detroit are the cities in which house and techno were born and raised, it was in italy circa 1990 that this delirious party music experienced a piano-driven coming of age. so far, so spangled. but while that may be the official story, there are other italian narratives too. take francois le roy and nanni for instance - two djs and producers from southern italy for whom, in the early nineties, the likes of aphex twin, autechre and air liquide were important, alongside the machine funk of detroit and the immersive soundtracks of the ambient generation. both artists are steeped in underground club music, and their new release on shabby doll records is a fine example of tough, tech-edged house. the *crossing roads* ep features four tracks that showcase their melodic yet relentless groove, they may be based in milan, but on this record, the influence of detroit, chicago and new york runs deep.

its been a while since weve heard a jam as bruising as nonsense. titles in techno often dont tell you much, and wed go as far as to say this badboy is really more no-nonsense.

he rothmans label combines an unlikely link between football statistics, some of the best (or worst) haircuts to grace the european version of the game, with jacking drums and acid-based rhythmics. the label dedicates its third ep to french striker dominique rochetea, with a various artists ep as strong as the back four of arsenal s 98 fa cup winning side. the nigel winterburn of the release is coyote s without the e , a squelchy and balearic groove with psychedelic vocals not too far off from dj koze mrs bojangles . aimes and scott fraser provide the ep with the composure of tony adams and the brute force of martin keown with their respective synth-led productions the kontemplation of kosmic order and heat for dust , while on the right - a would be lee dixon - drvg cvltvre, supplies the master builder , an ebm and industrious dancefloor workout.

a native from chicago, the birthplace of house music, anthony nicholson has always been a recognised talent since his early productions together with the legendary ron trent. anthony nicholson definatively is a true master and a permanent part of the history of the deep house scene around the globe. it’s been quite a while since his last 12’’. this nice piece of heaven was produced during the hot 2013 summer - check

misty conditions is a project that started off when henry collins and richard wilson met up in henrys studio a couple of years ago and jammed for a few days non-stop, enjoying the process thoroughly. the connection became so good in this period that the duo developed a fluent understanding of how each other worked, ending up as a project made across the internet, while henry was living in france and richard in la. they cross pollinated by developing what each did best, henry making and creating banks of samples and richard creating software and effects to cut up and re-sample, passing the tracks back and forth, essentially until they felt finished.

hanne & lore are finally home again with a groovy pounding ep. the needle touches the a-side and immediately releases the first euphoric and crackling sounds of supergirl. a true tech house firework, which ignites itself without having hanne & lore lose themselves in too many bells and whistles. the supergirl leaves the stage and makes room for a bass line that is looking for its partner. man oh man, you say to yourself, while tapping to the music. completely lost in thought, you get thrown back into the electronic life by cascandys synth-shots packed amazing rework. monaberry sees its 19th offspring come to life and it is just as strong as her brothers and sisters

somehow no 19 are about to do it again – the label run by jonny white is about to unleash a truly monstrous new ep that will not only soundtrack dancefloors for months to come, but fully announces the arrival of a talent who has been bubbling under for a while now in the form of uk producer eric volta. having been road tested in almost every art department set since january, no 19 are now ready to unleash drop their most powerful secret weapon into the wider world, and its sure to be one of the biggest of the year.

space ranger are back on lovemonk. after a highly praised debut album, what about the magnetic fields?, the stuttgart gang delivers a new single, push button bang. they have joined forces with la based good night keaton on vocals to deliver a breezy, everlasting-summer anthem. sun-soaked grooves and roads leading to dance parties on the beach flow into the atmosphere when this is playing. aaron shanahan is the man behind good night keaton and he happens to be miami horrors drummer.
two grandiose remixes accompany the original. the legendary jori hulkkonen applies his wisdom to deliver one of his signature, class aa remixes, while up and coming spanish producer kresy, fresh from a wicked release on hivern, delivers a remix that will leave a certain smile on your face for a while. rounding off the single, space ranger step on it and go straight for the dance floor with intenzo, an immense italo-influenced house track.

best known for his work on l.i.e.s and with steve summers as confused house, nik dawson aka bookworms drops an absolute banger on barcelona based label anomia. fans of the hazy textures of confused house here will be surely taken a back by the fact that the opening gambit on this ep, *mechanism* is utterly tonking. *photogenic* is another rushing weapon, while the closing track is a beautiful ambient piece. seriously killer ep, we can not recommend this enough!

with release nr. 11, luv shack records are once again eager to exalt the diversity of their releases, while keeping up the quality. luv011 is the split ep of the two up and coming electronic music duos manhooker and space echo. whilst both projects are still relatively new to the scene, they have equally made a stir with their first releases. manhooker consists of the two berliners by choice tomasz guido switala and sebastian mavin magassouba. their first release appeared on ostgut ton s sublabel unterton and their second ep was recently released on german heavy hitters sonar kollektiv - a collab with ex new yorker snax, featuring a remix by justus köhnke.

highly recommended! enlightened wax is proud to harbor on the side a of its fourth chapter all the dirtiness of the legendary dj octopus (muscle records) has been. >the black face< is a funky, abrasive, filthy track and >heavy breathing< is nasty twisted house anthem. marieu, the boss of the label showcases on the b side two sci-fiinspired cuts. >talk to me< is a jacking piece of quasar techno,while >about you< is a smoother delightful excursion into broken beatsterritories. vinyl only!

uk house/disco duo casino times are happy to announce the first in a brand new series of hand stamped, limited italo/disco edits curated or produced by the fun loving boys themselves. casino times have been releasing their own brand of catchy, neatly swung, dance floor ready disco and house on labels like wolf music and needwant. it is not often that an artist can be defined by such a distinctive sound whilst still maintaing a varied and extremely open minded approach to music production and djing. no two of their tracks are similar, yet somehow you will be sure you are listening to a casino times song before it reaches the chorus. their productions sit so comfortably on that precarious boundary that so many artists struggle to sit, while they are emotionally charged they are also extremely dance floor friendly and are as fun as they are provoking. the first in the series (casino edits 001) comes courtesy of the london based duo themselves and is testament to what the series intends to achieve… limited hand stamped copies.

with fans like amon tobin, skrillex and noisia (whove signed them to their division recordings label), youd expect neosignal to offer something different - and the german duo (aka drum & bass heroes phace & misanthrop) certainly dont disappoint. their debut album raum und zeit including the single planet online is out now! their influences range from can to kraftwerk and joy division to led zeppelin, and, while their music has elements of early krautrock, industrial and 80s ebm (electronic body music), its powered by 21st century, bass-driven production.

we present to you the first vinyl record from the minim.all label. this is a work by a creative team from russia, consisting of the owner of the minim.all label - mikhail kobzar a.k.a. plastic sound and his wife nastia. my wifes and my own ideas of people have always been filled with humor. after all, its impossible not to smile while observing the causes which make people act in a certain way.

femen is the second ep from hound scales on fifth wall, the brooklyn imprint he runs with divvorce. a dedication to the powerful women that have sculpted his life, the release sees the artist setting out to create the story of their impact on him by distilling these and other major influences into a techno format. the result is two originals blending amen-style jungle rhythms with collapsed industrial squeals, each with its own sense of beauty clawing upwards towards the surface.on the remix front, japanese producer and 10 label head honcho yuji kondo delivers an incredibly complex, layered interpretation of *a clique of tough women*, while mira and opal tapes affiliate bleaching agent pits the elegiac chords of the original *throated* against a repeated, mangled vocal motif, imbuing the remix with nostalgia while remaining an effective dancefloor instrument.
support includes marcel dettmann, norman nodge, sunil sharpe,tommy four seven, perc, and, forward strategy group, sigha, darko esser, mosca, shadow dancer, and sinden.

gaetano vinci a.k.a. hooved has been one of the most dependable producers on amam over the years, and more recently, his sound has mutated in some unexpected directions. thats why its high time to give our knob- twiddling satyr his own special catalog code from now on, and here we present amamhvd001, or for those of you who prefer titles instead of strings of letters and numbers, the timeless ep, his first 12inch of the year. the near-15-minute tmlss 1 begins with a 2-step beat, and as it unfolds, the beats only get more broken, causing a sense of auditory psychosis while somehow remaining calm, cool and collected.

mellys uses striking kicks. sobre and efficient his sounds are physical and brings a natural born good feeling on the dancefloor. the a-side is all about that, a powerfull dancefloor 180 bpm fat confort. his selectas of friends tunes on b-side is exactly on the same scale. format c brings an obsessing hardtek oldschool tune while zside brings a superb dancefloor track as well. honstely this is a total sticking 100% to the peur bleue sound style. digging for more collab! and very awaiting playing this record for real on the dancefloor!

a firm favourite at guy gerbers supplement facts label parties, tini delivers her first ep for the imprint with two solid cuts of deep, twisted, rolling tech. knowing exactly what works in the club tini features the vocals of joe le groove for the first track hat baxx, which adds a whole new dimension to the dancefloor experience, swirling above the stripped back raw bass, powering through with fierce energy while holding plenty of groove. over on the flip turn around drives with intricate percussion while vocals from charlotte c.a send you on a journey into a hypnotic state. both tracks are essential dj weapons for a peak time affair, guaranteed to keep the crowd pumping.

the fat dog label returns for its second outing with yet another confident four tracker designed for both the head and the feet. the proceedings begin with the sublime moonrunners. introducing contributions from new artist spooner, the production duo use their hardware to take us to the very craters with this bubbler of emotive deep techno with dissonant house touches, d link (fat dog & ny*ak) continues the basement feeling with urnogud4me, albeit at a slower tempo but still keeps the floor burning with an unsuspecting, intense voodoo-house mystery. this is raw club music. side b we head straight onto a greasy dance floor called werk. lush pads intermingle with breathy flute stabs while the building groove consistently nags attention from your feet. stop teases us back onto the slo-mo dance floor yet again with another scorching deep house groove for the hips with a subtle funk to be desired at the disco as well as the deep room. limited copies!

an absolute bombshell, *o meu estilo* (my style) is lisbon-based dj nigga foxs record debut. real name rogrio brando, nigga fox came to our knowledge a few months ago, and we were immediately floored by what we were hearing. still in his early 20s, rogrio has already played in all sorts of the greater lisbon clubs, while discreetly refining his own productions. on this 12 inch he presents parts of his unbelievably vast pallet. as the title implies, there s nothing quite like this, even in lisbon s ever more productive and creative beat-based music. vinyl 12 inch limited to 300 hand-painted, hand-stamped copies.

since day one, radiq has been showing an affinity for the afro-centric funkiness and carefully-honed sound design of modern days minimal music. as in many of his previous tracks, all six songs of >vida noir< has this certain kind of unyielding quality - long, hypnotic grooves with muted kick drum set the stage for more emancipated experiments in texture and sound design. on >a long hot summer break<, for example, the effect is utterly obvious as kicking its ass into gear with syncopated drums and strain of warm chords before animated vocal sample slips in like fingerprint. while deeply seductive interplay of those chugging percussion gives way to delighted horn of >a-dieu<, warm chord and acoustic guitar of >calling< is perfect example for radiq’s masterful sound and texture. >machine codes modified< has rather restrained structure for him, but tightly woven drums speaks eloquently about its carefully arranged funkiness and dance floor functionality. despite their repetitiveness, its surprising how well these productions forming cohesive solidarity as an album. presumably, it owes a lot to wide tonal vocabulary which is radiqs hallmark - these tracks has something concentrated, vivid qualities. this album sits just at the edge of the dance floor, but also performs its exceptional strength on intense home listening. dusky synth and truncated surge of bass of >vida noir< constructing something dark, before closing this album with modulated afro-acoustic guitar and deep falsetto voice (by the producer himself) of >rondo<. this album offers up an engaging and comprehensive amalgamation from the inquisitive sound by the maestro

bristolian dream team, waifs & strays vs. lukas meets chicago legend, dj sneak sums up the next jackathon jams package from queen of the scene, heidi. loaded with bleeps, bumps and bass, aside >gimme love< is driven by its disco chugging bassline and low slung groove, while the >stokes croft dub< version gives the track a warped, stoned haze. second original dance me (dance you) combines heavy low end with more 90s female vox swagger and dj sneak delivers his unmistakable funked up chicago style in a rendition of gimme luv with strains of boogie.

it is jam citys turn to deliver a batch of sweaty, streamlined dancefloor weapons on the 6th installment of the club constructions series. the minimalism and intensity of jersey club music remains a huge influence on the whole night slugs camp, and while jerseys impact can be felt across the cc series, jam city channels those devastating ghostly kick drums like none other. continuing on from where he left off with club favourites *the courts* the *how we relate to the body*, jam drops 5 lean and intense drum workouts build from scrap metal and primed for warehouse use. they move between thudding midrange persistence and just-sub-and-air minimalism, framed by jammed drum machine rhythms and splashes of re-sampled colour. jam decorates these sturdy and well-deployed undercarriages with silvery detail, percussion fragments, broken talkboxes, whispered vox and simple, beautiful chords.

last known trajectory proudly presents inkamera, the solo project of the multi-talented victoria lukas, who of course you may well be familiar with from her previous work as zerkalo, performing alongside the legendary gerald donald. here, the first inkamera release demonstrates victoria’s clear understanding of what constitutes a solid and balanced musical project – ‘superpartners (photon photino) ‘ and ‘&#1089,,,&#1084,,,&#1077,,,&#1088,,,&#1090,,,&#1100,,, &#1085,,,&#1077,,, &#1089,,,&#1091,,,&#1097,,,&#1077,,,&#1089,,,&#1090,,,&#1074,,,&#1091,,,&#1077,,,&#1090,,, (death doesn’t exist) ‘ are both pacey, electro drivers with a distinct european feel, the former being quite upbeat, while the latter rendering a slightly darker more sinister air. ‘i can speak’ provides a volatile contrast with its crazy, freestyle electro beats and rhythms, whilst both ‘human terms’ and ‘potentia’ showcase victoria’s quite distinctive, totally unmistakable, seductively hypnotic vocal to a backdrop of gorgeous electronics. a superb solo debut from lukas – let us hope that there are many more to follow.

after appearances on idle hands and brstl, rhythmic theory returns to their own imprint to further explore gritty textures and mysterious moods within house and techno frameworks. where theory001 featured the somewhat soothing, melancholic tones of >echo vibe< and >omega syndrome<, this second installment comes caked in sonic muck and abrasive attitude.its not all dark and foreboding, as the graceful filter-swept key refrain of >siren song< will attest, but it takes a barrage of rasping hats and bludgeoning kicks and toms before such niceties can be foisted upon our ears. while there is an optimistic lilt to the particular notes the melody calls out, in the midst of such machismo percussion it cant help but feel emotionally ambiguous, continuing the tone set out in the first rhythmic theory releases.there is no such confusion over b side cut >genesis< from the apocalyptic boom of the opening kick to the rapid gun fire of the snare this is a track that wants to inflict damage. at the midway point the searing beat melts away as a wash of delay-riddled speech knocks you from your centre of gravity, only for the drums to come whipping back in to pick up the slack. even the sole synth note that rears its head is devoid of compassion, pulsing a creepy, robotic intonation through the clamour.

nice price deal !!! new a made up sound! following up on the frantic start-stop action of the ahead/endgame whitelabel from earlier this year, number 6 in the series features two expansive semi-live trips. after hours offers a brooding alternative soundtrack to that most underrated of scorsese movies, while what preset sounds like a launch into stratospheric jazz territory by way of some restless broken hardcore shuffle. highly recommended!

nycs escort, founded by eugene cho and dan balis and fronted by the enormous vocals of lead singer adeline michèle, delivers a danceable blend of disco, funk & soul that pays homage to the classics while remaining fresh and modern. mysterious dance duo tiger & woods are known for cutting pop melodies with sourced disco, boogie & funk edits. check out the *barbarians* (tiger & woods remix) space invader where it premiered with pitchfork. following a critically acclaimed self-titled debut album that was hailed as one of the best albums of 2012 by both spin and rolling stone, escort will release the 12 inch vinyl package complete with remixes by italian nu disco kings tiger & woods, jkriv of deep&disco/razor-n-tape and a dub by the mysterious rance muhammitz.

while >sweet nothings< was a balancing act between clubsound and listening-electronica the duo is now turning its back on the dancefloor, to take the listener on an accustic tour through their personal amber room. with their chamber-electro mix, containing characteristics of dubstep, catchy pop-elements, classical string arrangements and and a singer/songwriter like intimacy, they achieve to create new sound-rooms

lab.our musics second release showcases more home-grown talent with 2 tracks by up and comer maxwell church. as a founding member of toronto techno night the deep north, max already has releases under his own name and as one half of the hermans, but this marks his first release on vinyl. lab.our 02 offers 2 raw techno tracks in one day and twizzled. one day is a late-night stomper, moving in and out of changing synth patterns while twizzled is an acid workout that changes up when synth stabs come in the middle of the track.

its been a while since we brought you the last ep on llfo by sascha dive. we havent been lazy though. now we present you another exceptional split ep, this time including tracks from christian burkhardt and daniel roth.

our fourth release comes from ogris debris, part of the affine family (home of dorian concept and cid rim) and an internationally acclaimed producer duo from vienna. combining cutting-edge digital production with finest ingredients of techno and house, ogris debris create a unique brand of dance music that is widely acknowledged as innovative by the global scene.
for this release, ogris debris deliver a uk-bass influenced, chord-driven primetime house stomper, somewhat different to their previous releases. on the b-side, hyperdubs grime and funky don scratcha dva eases the rhythm with his rolling bassline sound for a weighty dj tool track, while the clonious diverts the energy with his soulfull keyboard skills and swinging drums into an infectious late-summer future funk affair.